Ever since I first learned how to read, speculative fiction has been my happy place.
How could it not be? From fantastical worlds to near-dystopian realities, speculative fiction has the ability to transport the reader to an exciting new setting where we can fall in love with incredible characters, human or magical or otherwise. And, while it's taken some time for speculative fiction to earn its due literary respect, we're finally here. In fact, these days everyone from startups to academia is touting the benefits of reading speculative fiction. Why? Well, as the author of a recent Medium article succinctly pointed out: science fiction and fantasy can inspire, motivate and warn us.
Speculative fiction encompasses works in which the setting is anything other than the "real" world. It may involve supernatural, futuristic, or other imaged elements. It might be science fiction, fantasy, superhero fiction, science fantasy, horror or supernatural (or paranormal) fiction. Basically, any story that is outside of the grounded-in-reality every day world and explores something "unusual" is a work of speculative fiction.
Harry Potter? Speculative fiction.
The Lord of the Rings? Speculative fiction.
World War Z? Speculative fiction.
Diversity is at the heart of speculative fiction, and the reason is two-fold. First, we're writing diverse characters (human and non-human alike). Secondly, we're writing diverse worlds, some much like our own but only slightly different, and some wholly unique. Luckily, there's a few ways literary orgs are supporting diverse writers writing these wonderfully new diverse worlds!
Since 2014, the Speculative Literature Foundation has annually offered two diversity-centered grants: Diverse Writers and Diverse Worlds, both intended to foster the creation of speculative fiction work rich in diversity.
Writers may apply for either or both grants. Please note: your project does not need to center on identity issues. SLF also do not expect or want work that simply attempts to check off all the boxes in a tokenistic way, but rather are looking for writing that offers deep characterization, complex cultural landscapes, and strong literary quality overall.
For example, an excellent novel is Nicola Griffith’s award-winning Slow River, which features queer women protagonists; another is Lois McMaster Bujold’s Miles Vorkosigan series, whose white male protagonist deals with a host of personal disability issues, while ethnic, gender, and other issues play out in the cultural background.
The 2019 grant period is open for applications now and this year I am honored to be a judge.
More information about the grant, as well as instructions to apply, can be found here.